This paper considers the problem of defining antonomasia as a stylistic device, distinguishes the main types of antonomasia depending on the implementation of lexical meanings, and considers the relationship between metonymy and antonomasia, and also studies the characteristics of antonomasia as a means of nomination. The relevance of the topic is due to the fact that, along with other tropes and figures of speech, antonomasia is a significant stylistic device of a literary text in terms of naming, creating imagery and endowing connotations.

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